Independence, confederation, and foreign alliances. For months, these three elements were the talk of the Continental Congress. When Richard Henry Lee’s resolution was presented on June 7, 1776, it called for these three things, in this order:
That these United Colonies are, and of right ought to be, free and independent States, that they are absolved from all allegiance to the British Crown, and that all political connection between them and the State of Great Britain is, and ought to be totally dissolved.
That it is expedient forthwith to take the most effectual measures for forming foreign Alliances.
That a plan of confederation be prepared and transmitted to the respective Colonies for their consideration and approbation.
His resolution, or more accurately, his three resolutions were adapted from those of the Virginia Convention, agreed to on May 15: “Resolved, unanimously, That the Delegates appointed to represent this Colony in General Congress be instructed to propose to that respectable body to declare the United Colonies free and independent States, absolved from all allegiance to, or dependence upon, the Crown or Parliament of Great Britain; and that they give the assent of this Colony to such declaration, and to whatever measures may be thought proper and necessary by the Congress for forming alliances, and a Confederation of the Colonies, at such time and in the manner as to them shall seem best: Provided, That the power of forming Governments for, and the regulations of the internal concerns of each Colony, be left to the respective Colonial Legislatures.”
The Journals of the Continental Congress show that these three resolutions occupied the debate on Saturday, June 8 and Monday, June 10. John Hancock even let George Washington know, “we have been two Days in a Committee of the Whole deliberating on three Capital Matters, the most important in their Nature of any that have yet been before us…” On the 10th, Congress resolved, “that the consideration of the first resolution be postponed to this day, three weeks, and in the mean while, that no time be lost, in case the Congress agrees thereto, that a committee be appointed to prepare a declaration to the effect of the said first resolution.” This pushed the discussion of independence to July 1.... Read more about Delegate Discussions: The Lee Resolution(s)
In this edition of "Presenting the Facts", we explore the 1972 movie adaptation of the musical 1776. The concept, music, and lyrics were by Sherman Edwards, and the book was written by Peter Stone. The musical opened on March 16, 1969 and closed on February 13, 1972. The movie, which was directed by Peter H. Hunt and produced by Jack L. Warner, was released in November of that year.
With the current success of Hamilton: An American Musical, the concept of a musical based on the founding generation makes complete sense. But when 1776 first opened on Broadway, it was (pardon the pun) revolutionary. Sherman Edwards was a former history teacher who merged his knowledge of early American history with his talent for songwriting to create a musical focused on the Continental Congress in the months leading up to July 4, 1776.
The libretto for 1776 includes a Historical Note by the Authors, which begins as follows: "The first question we are asked by those who have seen—or read—1776 is invariably: 'Is it true? Did it really happen that way?' The answer is: Yes." Edwards and Stone list "those elements of [the] play that have been taken, unchanged and unadorned, from documented fact," followed by dramatic changes that fall into one of five categories: "things altered, things surmised, things added, things deleted, and things rearranged." We use Edwards' descriptions of facts and fictions as our guide, adding commentary and corrections along the way. So, sit down, open up a window, and learn about what's fact and what's fiction in 1776.
One of the most popular Thanksgiving-related myths in American history is the notion that Benjamin Franklin preferred the turkey as the national symbol of the United States, over the bald eagle. This story gained popularity in November 1962, when the New Yorker featured a cover illustration by Anatole Kovarsky of the Great Seal of the United States with a turkey in the place of the bald eagle. That same decade, the musical 1776 premiered on Broadway, and featured a song called "The Egg", where Franklin, Thomas Jefferson, and John Adams compare the birth of a new nation through the Declaration of Independence to an egg hatching. This launches a debate over which bird should symbolize America: John Adams calls for the eagle, Jefferson for the dove, and Franklin (of course) for the turkey. How did we come to associate the symbolism of the turkey with Benjamin Franklin, and is there any truth to it?
In this edition of "Presenting the Facts", we explore John Adams, the 2008 HBO miniseries. The miniseries was based on the book of the same name by David McCullough; the screenplay was by Kirk Ellis, and it was directed by Tom Hooper. With one exception, we focused on the second half of Part 2: Independence (starting at 45:13). This episode is so richly detailed, we had to limit our analysis to just the events related to the Lee Resolution and the Declaration of Independence (sorry, Abigail!).
In February 1790, Dr. Benjamin Rush wrote a letter to John Adams, disparaging the histories of the American Revolution that had been written thus far: "Had I leisure, I would endeavor to rescue those characters from Oblivion, and give them the first place in the temple of liberty. What trash may we not suppose has been handed down to us from Antiquity, when we detect such errors, and prejudices in the history of events of which we have been eye witnesses, & in which we have been actors?" John Adams felt much the same, lamenting in his response written in April, "The History of our Revolution will be one continued Lye from one End to the other. The Essence of the whole will be that Dr. Franklins electrical Rod, Smote the Earth and out Spring General Washington. That Franklin electrified him with his Rod--and thence forward these two conducted all the Policy Negotiations Legislation and War. These underscored Lines contain the whole Fable Plot and Catastrophy."
Last month, we debunked John Trumbull's Declaration of Independence. Often assumed to depict the signing of the Declaration of Independence, Trumbull actually chose to immortalize the moment when the Committee of Five presented their draft of the Declaration to John Hancock and the Continental Congress.
So, when was the Declaration of Independence signed?
Spoiler: NOT ON JULY 4TH.* *Most likely
Here is everything we know about the signing of the Declaration of Independence, the signatures, and why those signatures matter.
It took a full month for news of the Declaration of Independence to spread throughout the 13 colonies-turned-United States. That means that almost every day for a month, new communities were learning about the Declaration and celebrating accordingly. In this month's research highlight, we take a glimpse into local proclamations and celebrations of independence in the summer of 1776, and how those initial festivities still influence our Fourth of July festivities today.
The Journals of the Continental Congress provide very few details about the events in late June and early July 1776. Thomas Jefferson kept notes on the proceedings, but for the rest of their lives he and other delegates tried (often in vain) to remember exactly what happened in those days. Our best glimpse into Independence Hall, and especially into the minds and emotions of the delegates to Continental Congress, is through the letters they sent to family, friends, and colleagues. Here is a glimpse, spanning from June 28th through July 9th, of what the delegates were writing while in Philadelphia, and what they were feeling as they answered the "Great Question" of American independence. For the full-length letters, see the Library of Congress' digital transcriptions of Letters of Delegates to Congress.... Read more about Delegate Discussions: Answering the Great Question
In previews last year, the award-winning musical Hamilton included a short song at the top of Act 2 (between Thomas Jefferson's "What'd I Miss?" and "Cabinet Battle #1") that was cut before the musical moved to Broadway. The number was called "No John Trumbull", and antagonist/narrator Aaron Burr sang the following lines:
You ever see a painting by John Trumbull? Founding Fathers in a line, looking all humble Patiently waiting to sign a declaration, to start a nation No sign of disagreement, not one grumble The reality is messier and richer, kids The reality is not a pretty picture, kids Every cabinet meeting is a full-on rumble What you 'bout to see is no John Trumbull - Hamilton: An American Musical, Lyrics by Lin-Manuel Miranda
The founding of the United States of America was certainly not the "pretty picture" John Trumbull's Declaration of Independence leads the viewer to believe. More specifically, the events surrounding the Declaration of Independence had very little resemblance to this now famous painting.... Read more about Unsullied by Falsehood: No John Trumbull